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A Overview of the Life of John Keats: A Romantic Poet

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Pareshe Fatima

John Keats, a renowned English Romantic lyric poet, dedicated his short life to perfecting poetry characterized by vivid imagery, sensual appeal, and an attempt to express a philosophy through classical legend. Born on October 31, 1795, in London, England, Keats received minimal formal education following his father’s death in 1804 and his mother’s immediate remarriage. Throughout his life, Keats maintained emotional ties with his siblings while residing with his grandmother in Edmonton, Middlesex. His literary aspirations were encouraged by John Clarke and his son Charles Cowden Clarke, leading Keats to fervent reading and an eventual devoted to poetry by 1817.

Keats’s early works, such as his first mature poem, “On First Looking into Chapman’s Homer” (1816), and his debut book, Poems (1817), were pivotal in shaping his artistic journey. Influenced by the poetry of Edmund Spenser and the Elizabethans, these works marked the beginning of his exploration of themes and styles that would later define his poetry. Despite facing criticism, personal and health challenges, including a tuberculosis diagnosis, family troubles, and a tumultuous love affair with Fanny Brawne, Keats’s resilience and dedication led him to pen his greatest poetry in 1819, including notable works such as “Lamia,” “The Eve of St. Agnes,” and several celebrated odes.

The odes, including “Ode to a Nightingale,” “Ode on a Grecian Urn,” “Ode on Melancholy,” and “To Autumn,” stand as Keats’s most distinguished poetic achievement, representing a lyrical meditation on the conflict between eternal ideals and the transience of the physical world. Another significant work from this period was his fragmentary poetic epic, Hyperion, which symbolized the conflict between absolute value and mortal decay. However, Keats’s declining health, a constant companion, posed significant challenges to his creative pursuits. Despite these hurdles, Keats managed to publish a compilation of his works in 1820, a testament to his unwavering commitment to his art.

Keats’s health deteriorated drastically during 1819, and by the early 1820s, the evidence of tuberculosis was unmistakable. In September 1820, he embarked on a journey to Rome with his friend Joseph Severn, in a desperate bid for a change in climate. Unfortunately, Keats’s condition worsened, and he passed away in Rome in early December 1820. His friend Severn, a constant source of support and care, faithfully nursed him until the end. This marked the tragic end to the life of one of the most revered poets of the Romantic era, leaving behind a legacy of profound and influential poetry, and a testament to the indomitable spirit of a man who dedicated his life to his art.

Keats’s letters provide a comprehensive insight into his personal character and the progression of his poetic ideas. Through his correspondence with family, friends, and Fanny Brawne, a deep understanding of Keats’s integrity and his evolving thoughts on poetry becomes apparent. These letters display a profound introspection and a sensitive yet astute critical acumen. Their spontaneous and informal nature, coupled with deep sentiment and contemplation, positions them as some of the finest letters penned by an English poet. Beyond their significance as a commentary on his work, they possess an independent literary merit.

The impact of Keats’s untimely passing on his literary legacy is immeasurable. Despite the growing recognition of his poetic prowess throughout the 19th century, including his influence on Victorian Romantic verse, he was still relatively unknown until the 1840s. The Pre-Raphaelite movement greatly admired his general emotional temperament and meticulous observations of nature, incorporating these elements into both their poetry and paintings. However, it was not until the 20th century that the full breadth of Keats’s technical and intellectual accomplishments were fully appreciated, as his 19th-century admirers tended to value the more superficial aspects of his work.

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